(pre) possessed

an erasure sequence

by Sonia Overall

Note: Page numbers from the print version are indicated in brackets and should not be considered part of the text of the work

[page 67] ‘(pre)possessed’ is a sequence of six erasure poems created using found text. The work explores the concept of hidden messages as a form of possession, where apparently unbiased newspaper cove-rage and banal magazine columns contain the seeds of other—darker—ideas exposed through erasure. Riffing on the urban legend of satanic messages buried in song lyrics using ‘backmasking’ and the practice of subliminal advertising, ‘(pre)possessed’ demonstrates how creative erasure can ‘uncover’ the demonic apparently hiding in plain sight. The found text used in the work was drawn randomly from a collection of British print media gathered over five months. 

i. 


thoughts are poison

lives suspiciously haunted


daunting

a life that brings     hundreds of messages 

some vow to kill

everybody judges you


the grim truth is 

violence comes from you 

weak     infected lunatic 

lost

don’t talk about it 

say nothing

fear     fear their fury 

breaking


erratic and unexpected

the dark heart of you is a revelation [page 68]

your enemy is you

the aggressive     inward-looking one     now allowed inside you 

is relentless     dysfunction



ii.

wings to tail

angelic above a broken world 

visceral     hideous     fierce

far away and vulnerable 

you want to fight


ardent and devout

you felt a sign of divine luck 

a God-fearing hope

the stirring of a first     twitch of resistance 

but to battle is always more

dangerous



iii.

start the rite 

old games 

one chance

draw against the hidden 

against disaster



iv.

a charm

sometimes pliability and cunning inveigle 

seep in


voices foist their plan on us 

hold us back [page 69]

we     the imposed on

the people who don’t get to make our own decisions 

lived in


processed through

meaning left looted and full of holes

we risk living through flashes     old records of thought 

we remember so little



v.

an aberration 

over taking all

causing mental damage

for all will experience hopelessness


the homely and innocent 

tricked and made corrupt

a crooked ordeal

the fate of the girl who started telling: 

a dark story     emotional     troubled

a final trial



vi.

hiding in dreams 

seemingly soulless 

cryptic

no escape


possessed 

body and soul

left to make peace with pain


terror has finally come to an end 

the conviction

of closure [page 70]

Sources

Barden, Leonard. “Carlsen Jumps into Sixth-Round Lead at Wijk as He Hunts Rating Record.” The Guardian, Sport Supplement, 22 Jan. 2022, p. 2.

Bradshaw, Peter. “Mr Smith Goes to Washington.” The Guardian, Saturday Supplement, 22 Jan. 2022, p. 45.

“Brother of Victim Hails Conviction.” The i, 16 Apr. 2022, p. 35.

Bull, Andy. “Defiant Counterattack Shows This Team Are Worth Waking Up For.” The Guardian, 22 Jan. 2022, p. 15.

Chrisafis, Angeline. “‘That’s a Wrap: French Plastic Packaging Ban for Fruit and Veg Begins.” The Guardian, 31 Dec. 2021, p. 38.

Dent, Grace. “Hot Restaurants Do Not Want To Be Merely Hot.” The Guardian, Feast Supplement, 20 Nov. 2021, pp. 22–23.

Freedland, Jonathan. “The Dark Menace of Trump Is Back, Snapping at Biden’s Heels.” The Guardian, Journal Supplement, 8 Jan. 2022, pp. 1–2.

Kirkley, Paul “This Sporting Life: Interview with Dan Walker.” Waitrose Magazine, 3 Mar. 2022, pp. 10–13.

Kote, William J. “Postcard from Boston.” The i, 16 Apr. 2022, p. 34.

Pidd, Helen. “Only a Quarter of Those Who Wrote Integrated Rail Plan Rely on North of England’s Sub-Par Services.” The Guardian, 31 Dec. 2021, p. 17.

Roddy, Rachel. “Tales from an Italian Kitchen.” The Guardian, Feast Supplement, 20 Nov. 2021, pp. 20–21.

Runciman, David. “Shouting and Scheming: My Journey into the Mind of Dominic Cummings.” The Guardian, Saturday Supplement, 16 Jan. 2022, pp. 21–24.

“What’s on Television.” The Guardian, What’s On Supplement, 18–21 Dec. 2021, p. 2.

Wyver, Kate. “Hearty.” The Guardian, Saturday Supplement, 22 Jan. 2022, p. 45.

Sonia Overall is a writer, psychogeographer, and academic living in East Kent, UK. Her published work includes novels, poetry, short stories, academic articles, and features, many of which explore place, the nonhuman, aspects of the weird, and experimental forms. Her short fiction and poetry have appeared in Streetcake, Neon, Lune, Shearsman Magazine, and Seaside Gothic; her books include the poetry chapbook The Art of Walking, walking-writing manual walk write (repeat), pilgrimage memoir Heavy Time, and her latest novel, Eden. Sonia is currently a Reader at Canterbury Christ Church University, where she runs the MA Creative & Critical Writing.  

MLA citation (print): 

Overall, Sonia. "(pre) possessed: an erasure sequence." Supernatural Studies: An Interdisciplinary Journal of Art, Media, and Culture, vol. 9, no. 1, 2023, pp. 67-70.