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Volume 4, Issue 1 (Summer 2017)

Editors' Note and Introduction, by Leah Richards and John R. Ziegler (7) 

A Supernatural Spectacle: Film Style Within the Prologue of Black Swan, by Derek M. Dubois (11-23) [Read/Download]
Abstract: Filmmaker Darren Aronofsky is well-known for a dynamic film style that showcases characters who self-destruct in visceral, kinetic ways. His Black Swan (2010) concerns a talented but infantilized ballet dancer whose quest for perfection in her renowned company's performance
of Swan Lake leads her down a darkened path of self-mutilation. The film externalizes this threat through the introduction of supernatural elements—most specifically—through the emergence of the double. This essay argues that Aronofsky establishes his key themes and genre elements
through the techniques of art cinema immediately within the film’s prologue. 
Keywords: art cinema, the double/doppelgänger, film style, narrative

The girlie-wolf--good for nothing: Twilight and the Anti-Feminist She-Wolf, by Stephanie Gallon (24-37) 
Abstract: Stephenie Meyer's Twilight saga has been an international phenomenon, yielding much debate about the agency of the heroine. Though a minor character, Leah Clearwater is acharacter worth studying and an ideal lens through which to examine the series, as she occupies a unique space within the world and narrative: she is the only she-wolf in the Quileute pack. This essay argues that an analytical focus on Leah Clearwater reveals that the Twilight saga, by cultural and authorial definitions, fails as a feminist piece.
Keywords: Gothic, female werewolf, feminist post-colonialism, Twilight

"Keeping the Past Present": Time and the Shifting Bog in Bram Stoker's The Snake's Pass, by Nancy Marck Cantwell (38-50) [Read/Download]
Abstract: Bram Stoker’s Irish novel, The Snake’s Pass, interrogates the continuity of Irish history and national identity through a legend explaining a Connemara bog’s supernatural influence, a story that portrays the trauma of Ireland’s dispossession as indelible and timeless. This reading of the novel employs Julia Kristeva’s conceptualization of linear and monumental time to argue for the preeminence of the supernatural bog as a totem of Irish identity that persists in cultural memory to counter the forward momentum of the Anglo-Irish assimilation narrative.
Keywords: bog, Bram Stoker, dispossession, Ireland, Julia Kristeva

Cultural Human Sacrifice in Wes Craven's A Nightmare on Elm Street Films, by Brittany Caroline Speller (51-68) [Read/Download]
Abstract: Wes Craven’s films often feature veiled or outright commentaries on their cultural context. With this trait in mind, a reexamination of his initial two entries in the Elm Street series is warranted. By utilizing a theoretical lens of cultural human sacrifice, combined with traditional film criticism techniques, this essay argues that Craven’s films A Nightmare on Elm Street (1984) and A Nightmare on Elm Street 3: Dream Warriors (1987) can be seen as inclusive of instances of human sacrifice that were deemed necessary in order to perpetuate the hegemonic societal norms of the 1980s.
Keywords: Elm Street series, horror genre, human sacrifice, slasher films, Wes Craven

Damsels, Dragons, and Death-girls: Married and Unmarried Foreign Women in The Book of John Mandeville, by Elizabeth Light (69-87)
Abstract: This article examines the (re)presentations of foreign women in The Book of John Mandeville, arguing that foreign women’s marital status is central in determining their inclusion in the category of the human. Unmarried foreign women appear as dangerous figures whose bodies transform into monstrous forms such as dragons and human-animal hybrids, while married women are seen as commodities whose value depends on performances of status.
Keywords: abjection, gender studies, Mandeville, marriage, medieval, monstrosity, travel writing

Academia, Relativism, and the "Supernatural": What is True, What is Real, and What is Reasonable?, by Elizabeth Lowry (88-98)
Abstract: Considering other people’s esoteric or “supernatural” experiences in a professional capacity can be challenging because, as academics, we are expected to reject such discourses. But while “critical thinking” presupposes a strictly rationalist and positivist standpoint, the act of thinking critically may sometimes require a more relativistic perspective on what is generally accepted as being true and real. Acknowledging the social and political dangers of accepting an overly relativistic view of “truth” and “reality,” this paper explores the plusses and pitfalls of relativism with regard to truth claims associated with the supernatural.
Keywords: esoteric, rational, reason, relativism, truth-claims


Volume 3, Issue 2 (Fall/Winter 2016)

Editors' Note and Introduction, by Leah Richards and John R. Ziegler (7). [Read/Download]

Between Madness, Malice and Marginalization: Reading the Ghost of Jennet Humfrye in Susan Hill's The Woman in Black in the Context of Trauma Theory, by Denise Burkhard (9-20). [Read/Download]

How (Not) to Read the American Haunted House, by Dara Downey (21-35). [Read/Download]

Re/possessed: the Haunted House, Spectral Debt, and the Hyper-Gothic in Lunar Park (2005), by Amy Bride (36-48). [Read/Download]

Ghosts in the Machine: Spectral Technologies, Haunting Affects, and Virtual-Feminine Ghosts, by Raechel Dumas (49-63). [Read/Download]

Viral Video, Traumatic Therapy: Hideo Nakata's Ringu and the Attempt to Cure the Future by Inoculating Us with the Past, by Sigmund Shen (64-79). [Read/Download]

The Girl with the Gravestone Sidewalk: A Poetics of the Dead, by Joshua Adair (80-96). [Read/Download]

  Volume 3, Issue 1 (Spring 2016)

  Introduction, by Leah Richards (7).

  Shantooe Jest: A Forgotten Nineteenth-Century Fairy Saga, by Simon Young (9-22). [Read/Download]

  The Gothic Experience of Terror and Horror in Matthew Lewis's The Monk, by Erica McCrystal (23-32). [Read/Download]

  Dark Shadows and Gothic Lights: Daphne du Maurier's Rebecca, by Osmond Chien-ming Chang (33-41). [Read/Download]

  The Moral Imagination and Sergeant James Hathaway in Inspector Lewis, by Heather Ostman (42-55). [Read/Download]

  Monkey Drag: Gendering and Deconstructing the Sasquatch Masquerade, by James Keller (56-64). [Read/Download]

  Teen Drama with a Bite: Human Animality in Teen Wolf, by Anastassiya Andrianova (65-84). [Read/Download]

"Sweetheart, this is Gender Studies": Jo Harvelle, Female Strength, and Fandom in Supernatural, by Victoria Farmer (85-98). [Read/Download]

Film Series Review Essay
Paranormal Found-Footage Fizzle: The Rise and Fall of the Paranormal Activity Franchise, by William D. Prystauk (99-108). [Read/Download]

Book Reviews 
[Read/Download All]

Davidson, Jane P. Early Modern Supernatural: The Dark Side of the European Culture, 1400-1700. Review by Timothy Bernard Walsh.

Smith, Jay M. Monsters of the Gévaudan: The Making of a Beast. Review by Todd Spaulding.

Miller, Cynthia J., and Bowdoin Van Riper, eds. Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier. Review by Murray Leeder.

Wilson, Leah, ed. A Taste of True Blood: the Fangbanger's Guide and George Dunn and Rebecca Housel, eds. True Blood and Philosophy: We Wanna Think Bad Things 

with You. Review by Alysa Hornick.

Redding, Arthur. Haints: American Ghosts, Millenial Passions, and Contemporary Gothic Fictions. Review by Christopher K. Coffman.

  Volume 2, Issue 2 (Summer 2015)

  Special Issue: The Supernatural in the Long Nineteenth Century
  Guest Editor: Janine Hatter

  Introduction, by Janine Hatter (9-13). [Read/Download]

  Banishing the Beast: The Role of the Wolf in "Dracula's Guest" and Its Omission from Dracula, by Kaja Franck and Matthew           
Beresford (14-28). [Read/Download]

  Writing the Vampire: M.E. Braddon's "Good Lady Ducayne" and Bram Stoker's Dracula, by Janine Hatter (29-47).     [Read/Download]

  Bram Stoker's The Lair of the White Worm: Supernatural Representations and Nineteenth-Century Paleontology, by Carol     Senf (48-58). [Read/Download]

Acting Monstrous: Staging the Creature in Presumption; Or, The Fate of Frankenstein, by Brittany Reid (59-72). [Read/Download]

Haunted Tomes, Haunted Canvases: Supernatural Realism in Nineteenth-Century Novels and Paintings, by Cameron Dodworth (73-92). [Read/Download]

"Land of the living that's thronged with the dead": Mary Kingsley and the Ghosts of West Africa, by Melissa Edmundson (93-107). [Article unavailable as open-access by request of the author.]

From Ouina to Black Hawk: The Role of Native American Spirit Controls in the Victorian-Era Séance, by Elizabeth Lowry (108-117). [Read/Download]

Mesmeric Clairvoyance in Mid-Victorian Literature: Eliot, Bulwer-Lytton, and MacDonald, by Helena Ifill (118-132). [Read/Download]

Anatomy of the Demons: The Demoniac Body Dealers of the Penny Bloods, by Anna Gasperini (133-147). [Read/Download]

Reincarnation, Rudyard Kipling, and Mortimer Collins, by Erin Louttit (148-160). [Read/Download]

William Carleton, Folklore, the Famine, and the Irish Supernatural, by Melissa Fegan (161-173). [Read/Download]

Ghostly Markings: Aesthetic Criminality, Acts, and Supernatural Identity in Wilde's "The Canterville Ghost," by Christie Cognevich (174-183). [Read/Download]

Book Reviews [Read/Download All]

Killeen, Jarlath, ed. Bram Stoker: Centenary Essays. Review by Joy Bracewell.
Budge, Gavin. Romanticism, Medicine, and the Natural Supernatural. Review by Emma Butcher.
Elbert, Monika, and Bridget M. Marshall, eds. Transnational Gothic: Literary and Social Exchanges in the Long Nineteenth Century. Review by Kevin Corstorphine.
Wynne, Catherine. Bram Stoker, Dracula, and the Victorian Gothic Stage. Review by Matthew Crofts.
Montillo, Roseanne. The Lady and Her Monsters: A Tale of Dissections, Real-Life Dr. Frankensteins, and the Creation of Mary Shelley's Masterpiece. Review by Michelle 
O'Briain, Helen Conrad, and Julie Anne Stevens, eds. The Ghost Story from the Middle Ages to the Twentieth Century. Review by Janine Hatter.
Makala, Melissa Edmundson. Women's Ghost Literature in Nineteenth-Century Britain. Review by Nicole Lobdell.
Gibson, Matthew. The Fantastic and European Gothic: History, Literature and the French Revolution. Review by Carol A. Senf.
Gimes, Hilary. The Late Victorian Gothic: Mental Science, the Uncanny and Scenes of Writing. Review by Victoria Samantha Dawson.

  Volume 2, Issue 1 (Spring 2015) 

  Special Issue: Television and the Supernatural
  Guest Editor: Marisa C. Hayes

  Introduction, by Marisa C. Hayes (7-10).

  Supernatural Potentialities and Household Technologies: Communication Devices Gone Wild in Tales of     Tomorrow and The  Twilight Zone, by Kylo-Patrick R. Hart (11-21).

  Ghostwatch: Supernatural and Technological Presence in Early 1990s Britain, by Alexandra Heller-Nicholas (22-33).

  Wandering Wesen: Immigration as Adaptation in Grimm, by Angela Tenga (34-46).

  "Three days of the month I'm not much fun to be around either": Werewolves and the Gendered Body in BuffyTrue Blood, and Grimm, by Rachael Johnstone (47-61).

Ghosts in the Machine: Fringe Bodies, by Lisa K. Perdigao (62-74).

Writing the Winchesters: Embodies Inscriptions and the Bleeding Text(s) of Supernatural, by Najwa Al-Tabaa and Katherine Shaeffer (75-88).

Television Series Review Essays
The Twilight Zone, rev. by Guillaume Lecomte.
Dark Shadows, rev. by Drew Beard.
Tales from the Dark Side, rev. by Drew Beard.
Twin Peaks, rev. by Franck Boulégue.
The X-Files, rev. by Angela Bayout.
Buffy the Vampire Slayer, rev. by Andrew Howe.
Charmed, rev. by Laura Lott.
Lost, rev. by Kristine Larsen.
Being Human (UK), rev. by Laura Lott.
True Blood, rev. by Shara Clark.
The Walking Dead, rev. by M. Lee Brown.
American Horror Story, rev. by Shara Clark.
The Returned (Les Revenants), rev. by Emeline Morin.

Volume 1, Issue 1 (Summer 2013)

Editors: Margo Collins and Deborah Christie

The Bloodsucking Brady Bunch: The Lost Boys and the Single-Parent Family, by Jeremy Tirrell (7-16).

The Witch, the Cauldron, and the Inverted Cooking Ritual, by Allene Nichols (17-30).

 Undead America:The Emergence of the Modern Zombie in American Culture, by Daniel Compora (31-38).

 (Re)Visiting and (Re)Visioning the Self/Other Divide in Science Fiction Transmutations of the Gothic, by Janine Hatter (39-52).

 “Darkness has too much to offer”: Revising the Gothic Vampire, by Sara Cleto (53-64).

 A Structure Without a Center: Is “Monster TV” a Heart of Darkness?, by James Keller (65-79). [Read/Download]

 Bella and the Beast: When Vampires Fall in Love, or the Twilight of a Genre, by Marko Lukić and Ljubica Matek (80-92).

Book Reviews

Samuel, Lawrence R. Supernatural America: A Cultural History. Santa Barbara: Praeger, 2011, rev. by Adam M. Crowley.
Lázaro-Reboll, Antonio. Spanish Horror Film. Edinburgh: Edinburgh University Press, 2012, rev. by Robert L. Turner III. 
Dendle, Peter. The Zombie Movie Encyclopedia, Volume 2: 2000-2010. Jefferson, NC: McFarland and Company, 2012, rev. by Janine Hatter.
Cherry, Brigid, ed. True Blood: Investigating Vampires and Southern Gothic. London and New York: I. B. Tauris, 2012, rev. by Marion Gibson.
Poole, W., Scott. Monsters in America: Our Historical Obsession with the Hideous and the Haunting. Waco, Texas: Baylor University Press, 2011, rev. by Peter J. Maurits.
Gecser, Ottó, József Laszlovszky, Balázs Nagy, Marcell Sebők,Katalin Szende, eds. Promoting the Saints: Cults and Their Contexts in Late Antiquity until the Early 
    Modern Period
, CEU Medievalia 12. Budapest: Central European University Press, 2011, rev. by Sara Williams.
Smajić, Srdjan. Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Cambridge: Cambridge University Press, 2010, rev. by 
    Derek Johnston.
McClelland, Clive. Ombra: Supernatural Music in the Eighteenth Century. Lanham, MD: Lexington Books, 2012, rev. by Stephanie Pietros.
McMahon-Coleman, Kimberley and Roslyn Weaver. Werewolves and Other Shapeshifters in Popular Culture: A Thematic Analysis of Recent Depictions. Jefferson, NC: 
    McFarland & Co., 2012, rev. by Alysa Hornick.